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<channel>
	<title>wenjing</title>
	<link>https://wenjing.one</link>
	<description>wenjing</description>
	<pubDate>Fri, 17 Jun 2022 05:46:28 +0000</pubDate>
	<generator>https://wenjing.one</generator>
	<language>en</language>
	
		
	<item>
		<title>Front page</title>
				
		<link>https://wenjing.one/Front-page</link>

		<pubDate>Tue, 08 Feb 2022 18:26:13 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/Front-page</guid>

		<description>&#60;img width="592" height="592" width_o="592" height_o="592" data-src="https://freight.cargo.site/t/original/i/e4da67ec110ff64aa1fb1f04ade9a4114beddd7d2f8f55adac28f592217a570a/copyright_-1.png" data-mid="145734671" border="0" data-scale="2" src="https://freight.cargo.site/w/592/i/e4da67ec110ff64aa1fb1f04ade9a4114beddd7d2f8f55adac28f592217a570a/copyright_-1.png" /&#62;






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		<title>rhythm</title>
				
		<link>https://wenjing.one/rhythm</link>

		<pubDate>Tue, 08 Feb 2022 18:26:14 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/rhythm</guid>

		<description>
	


This Is Not An Infrastructure; It Is About Rhythm.&#38;nbsp;Interventions, Performance, Experimental Practice &#124; CN︎

	

Infrastructures could be seen as one of the physical entities that set the rules for people's behaviours and actions. The combination of the actions that people produce as a result of subjective thinking and the actions that they produce as a result of the training of rules over time, results in some specific rhythms.In this context, the rhythm project is to explore a new way to experience people’s interaction with those infrastructures that seek to choreograph our movements. There are two kinds of infrastructures as the sample, the traffic light system and pavement, the deceleration railing. My research and exploration focus on pedestrians’ the rhythmic movements produced by the rules of these two. Then, I re-present them in the form of visual language (score / scenario), sound and performance. This project is aimed at allowing my audience to re-experience the rhythm that they ignored in usual and to provide them with a new cognition of the urban infrastructures.






















	
	Material: Felt, Card PaperSoftware: Illustrator, Audition, After Effects, Premiere Pro
Location: London,UK



	︎&#38;nbsp;Infrastructure 1&#38;nbsp;Traffic Light and Pavement On Angel Station &#38;nbsp;[ 51°31'59.9"N 0°06'21.3”W ]

	The countdown leaves 3 seconds. 3, 2, 1
The pedestrians speed their strides crossing the pavement from the two sides.

Those who walk on this ground suddenly become a group.

Perhaps an improvised dance group.
They react with the “rules” of the traffic light, Sound, countdown, etc., to perform a kind of certain rhythm.

&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/45350616eb60108f75ceea84ad9e01ed0d1fde05e6c0fbcacfbd46bc75d731a8/work-.png" data-mid="134378616" border="0"  src="https://freight.cargo.site/w/1000/i/45350616eb60108f75ceea84ad9e01ed0d1fde05e6c0fbcacfbd46bc75d731a8/work-.png" /&#62;

	
	

&#60;img width="21672" height="12411" width_o="21672" height_o="12411" data-src="https://freight.cargo.site/t/original/i/d3473b5cec6c917f06ad479f7bfa4d873b97bb812b60731567dc60792d11779a/notation--05.png" data-mid="133818089" border="0"  src="https://freight.cargo.site/w/1000/i/d3473b5cec6c917f06ad479f7bfa4d873b97bb812b60731567dc60792d11779a/notation--05.png" /&#62;︎︎︎A map four pedestrians
The score 1, 2, 3, 4 referred to the labanotaion to describe people’s movements.






	A rhythm unit for the score 1, 2, 3, 4︎︎︎There is no alarming sound in the traffic light system at that place. However, the changes of red, green and yellow lights of traffic lights provide a kind of silent rhythm and define the time and areas for people's running, walking and pausing, while these actions could be classified to response the light changing. This video is to show this kind of interaction.
	
	


	︎ Infrastructure 2The Deceleration Railing On Canary Wharf Passway&#38;nbsp; [ 







51°30'15.6"N 0°01'39.0"W ]
	
	
A man walked with carrying stuff.

A couple walked with hand in hand.

A woman jogged with a baby stroller.

A man walked with swinging a signle arm.

They passed through a group of railing to create the melody that you heard.





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&#60;img width="2647" height="3393" width_o="2647" height_o="3393" data-src="https://freight.cargo.site/t/original/i/40639888e371b6e028716d5aa577c551ae4bcb72311366ead76ac151a639e80f/_-1.png" data-mid="135381073" border="0" data-marker-id="5" src="https://freight.cargo.site/w/1000/i/40639888e371b6e028716d5aa577c551ae4bcb72311366ead76ac151a639e80f/_-1.png" /&#62;
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	<item>
		<title>the ride's movement</title>
				
		<link>https://wenjing.one/the-ride-s-movement</link>

		<pubDate>Wed, 23 Feb 2022 23:06:28 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/the-ride-s-movement</guid>

		<description>
	


The Tide’s Movement



&#38;nbsp;Experimental Practice, Natural Power

	




















	
	
Team Project: Qiaochu Guo, Jing WenMaterial: Bobbers, Oil paint,Canvas, Lishing line, Pencil,&#38;nbsp;Discarded foam boxesLocation: Pulau Ketam, Malaysia 













 





	


	
	
	

︎︎︎The painting processThe video is for recording how the following two paintings were created by the tide power.








︎ 








2:45
pm—3:30 pm on
the next day 
&#60;img width="2271" height="3933" width_o="2271" height_o="3933" data-src="https://freight.cargo.site/t/original/i/5d6626537cce0f592519918983e0ac32450dea5814b063f181d7d059cae9d2f2/_20200519220209.jpg" data-mid="134497669" border="0"  src="https://freight.cargo.site/w/1000/i/5d6626537cce0f592519918983e0ac32450dea5814b063f181d7d059cae9d2f2/_20200519220209.jpg" /&#62;

︎ 








4:30pm—5:00pm on
the next day





&#60;img width="2848" height="4288" width_o="2848" height_o="4288" data-src="https://freight.cargo.site/t/original/i/ccda2351792b4d6c1922bea2d687fcf5005d2ebd02a65502e32671ef48064080/_20200519220215.jpg" data-mid="134497671" border="0"  src="https://freight.cargo.site/w/1000/i/ccda2351792b4d6c1922bea2d687fcf5005d2ebd02a65502e32671ef48064080/_20200519220215.jpg" /&#62;
</description>
		
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		<title>how to find a new way to use</title>
				
		<link>https://wenjing.one/how-to-find-a-new-way-to-use</link>

		<pubDate>Fri, 17 Jun 2022 05:46:28 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/how-to-find-a-new-way-to-use</guid>

		<description>
	



HOW TO FIND A NEW WAY TO USE&#38;nbsp;Design shoes, Sustainability &#124;&#38;nbsp;CN︎

	


























There is stuff people would not use anymore but still keep in their home, ice tray, unknown stainless steel, etc. I was curious to see how to make them be alive and come back into our lives.
The project initially started with the design of shoes.The rules for shoe design were developed by collecting different functions in different scenarios and exploring the possibilities of different combinations of underused stuff. After that, a small workshop was organised around these open-ended rules and examples of shoes to inspire people creating creative ways to re-use these objects.
It aims at inspiring people to understand the structure of the objects themselves, explore how they can be used to reassemble them into a pair of interesting shoes, and reactivating these underused stuff back to use.






	


	

Material: the underused stuff in people’s homeLocation: Hengyang, Hunan





︎&#38;nbsp;Experiment 1The underused stuff in kitchen, Connect without chemical sticky tools, For smoothly sliding&#60;img width="3780" height="2126" width_o="3780" height_o="2126" data-src="https://freight.cargo.site/t/original/i/18264d4e5e6d530291cc316b16c8c7a7c97de268d54f342569caf4c403e3f825/HOW-TO-FIND-A-NEW-WAY-TO-USE.jpg" data-mid="145658382" border="0"  src="https://freight.cargo.site/w/1000/i/18264d4e5e6d530291cc316b16c8c7a7c97de268d54f342569caf4c403e3f825/HOW-TO-FIND-A-NEW-WAY-TO-USE.jpg" /&#62;
&#60;img width="2478" height="3508" width_o="2478" height_o="3508" data-src="https://freight.cargo.site/t/original/i/802332ac934ebea4187923ec5a36e4b22749f84ac2af7b11ce99d78bdf46b06f/shoe-poster2q.png" data-mid="145658582" border="0"  src="https://freight.cargo.site/w/1000/i/802332ac934ebea4187923ec5a36e4b22749f84ac2af7b11ce99d78bdf46b06f/shoe-poster2q.png" /&#62;

︎ Experiment 2The underused stuff in the storeroom, Invite people to fill in a sentence online, For sweep the floor&#60;img width="3780" height="2126" width_o="3780" height_o="2126" data-src="https://freight.cargo.site/t/original/i/0e1c5d8977239ce8637f51621ce9e32d0d3b773891f363e5df96d9bf12eb56ae/HOW-TO-FIND-A-NEW-WAY-TO-USE2.png" data-mid="145665627" border="0"  src="https://freight.cargo.site/w/1000/i/0e1c5d8977239ce8637f51621ce9e32d0d3b773891f363e5df96d9bf12eb56ae/HOW-TO-FIND-A-NEW-WAY-TO-USE2.png" /&#62;


︎ Workshop
	- RULES -
-1-
Underused stuff
-2-Connection without chemical sticky tools
-3-Design a pair of funny shoes 
-4-Wearable
-5-
Pre-define functions/uses

	

	
	&#60;img width="3780" height="2126" width_o="3780" height_o="2126" data-src="https://freight.cargo.site/t/original/i/3a59cb5a5430c1f2b59abcc2f51f26f5488274e5df73ed0ca4c225b4a7caac1c/6HOW-TO-FIND-A-NEW-WAY-TO-USE.jpg" data-mid="145665819" border="0"  src="https://freight.cargo.site/w/1000/i/3a59cb5a5430c1f2b59abcc2f51f26f5488274e5df73ed0ca4c225b4a7caac1c/6HOW-TO-FIND-A-NEW-WAY-TO-USE.jpg" /&#62;

	




</description>
		
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	<item>
		<title> in the reflection</title>
				
		<link>https://wenjing.one/in-the-reflection</link>

		<pubDate>Tue, 01 Mar 2022 15:11:23 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/in-the-reflection</guid>

		<description>
	


In The Reflection &#38;nbsp;Installarion ｜CN︎

	























We would observe ourself through the mirror in most of time. In the fashion consumption, we buy various clothes to dress ourselves up, and we decide whether to buy or not through the reflection of mirror or the words from others. What we buy might be not the clothes themselves, but a series of symbolic meanings such as temperament, personality, taste, figure and so on that it symbolizes. We seem to live in a world, shaping ourselves by the symbolic meanings mirrored by goods. However, what kinds of impacts do this implicit way of thinking that see goods as a series of symbolic meaning and remove its temporality have on our lives?


This project used a set of interactive mirrors as a medium to stimulate people to reflect on the relationship between self and objects through the seeing way that is to remove part of self in the mirror. 



























	
	
Material: Mirrored stainless steel, TPU HD Mirror, LED
Location: Beijing, China


︎︎︎A video to show the way of elimination when people stand at the front of mirror.

&#60;img width="2733" height="3945" width_o="2733" height_o="3945" data-src="https://freight.cargo.site/t/original/i/ebfc4d91c31f4e5e376723a79a9bc1de7cc8e51240982b3d0bb5f5c8960f4bbd/web-.png" data-mid="135132646" border="0"  src="https://freight.cargo.site/w/1000/i/ebfc4d91c31f4e5e376723a79a9bc1de7cc8e51240982b3d0bb5f5c8960f4bbd/web-.png" /&#62;


&#60;img width="4258" height="2533" width_o="4258" height_o="2533" data-src="https://freight.cargo.site/t/original/i/cc411aa7158df8860a200012ffa58698191f9b8648a9ebab8a5d3d54cd76572f/zhuojing.png" data-mid="135138166" border="0"  src="https://freight.cargo.site/w/1000/i/cc411aa7158df8860a200012ffa58698191f9b8648a9ebab8a5d3d54cd76572f/zhuojing.png" /&#62;


&#60;img width="2910" height="2911" width_o="2910" height_o="2911" data-src="https://freight.cargo.site/t/original/i/5694f490de5e881b03423ee0594196b0718cc94a400d1df211dead31837d5359/web4.png" data-mid="135138810" border="0"  src="https://freight.cargo.site/w/1000/i/5694f490de5e881b03423ee0594196b0718cc94a400d1df211dead31837d5359/web4.png" /&#62;
&#60;img width="1488" height="3235" width_o="1488" height_o="3235" data-src="https://freight.cargo.site/t/original/i/964a645f57e63908eb5f85bcafd5f703d18d6bdc4a1913f8e540f01d60eb6bf6/web1.png" data-mid="135138775" border="0"  src="https://freight.cargo.site/w/1000/i/964a645f57e63908eb5f85bcafd5f703d18d6bdc4a1913f8e540f01d60eb6bf6/web1.png" /&#62;
&#60;img width="1542" height="3456" width_o="1542" height_o="3456" data-src="https://freight.cargo.site/t/original/i/20572239b922d38361cc6d48715851291c549a1c25d9c42fd2d857e45ff9fbab/web3.png" data-mid="135138772" border="0"  src="https://freight.cargo.site/w/1000/i/20572239b922d38361cc6d48715851291c549a1c25d9c42fd2d857e45ff9fbab/web3.png" /&#62;
&#60;img width="2872" height="2872" width_o="2872" height_o="2872" data-src="https://freight.cargo.site/t/original/i/cb1902e2dc4b75f250f3c1b54b35751bbe43df8bae44cd0accf46d431c3d9b87/web2.png" data-mid="135138769" border="0"  src="https://freight.cargo.site/w/1000/i/cb1902e2dc4b75f250f3c1b54b35751bbe43df8bae44cd0accf46d431c3d9b87/web2.png" /&#62;
&#60;img width="3201" height="5879" width_o="3201" height_o="5879" data-src="https://freight.cargo.site/t/original/i/51e05bfc0be90a9b74d60120e640cc6974922f5f600ee45581ff8794330277df/131307126---8.jpg" data-mid="137637660" border="0"  src="https://freight.cargo.site/w/1000/i/51e05bfc0be90a9b74d60120e640cc6974922f5f600ee45581ff8794330277df/131307126---8.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>puppet</title>
				
		<link>https://wenjing.one/puppet</link>

		<pubDate>Sat, 16 Apr 2022 05:27:29 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/puppet</guid>

		<description>
	


ACT 6&#38;nbsp;















THE
PROMISED LAND



 &#38;nbsp;Post-workers Polemical Puppetry &#124; CN︎

	










































The promised land puppetry used the revolutionary play Mystery Bouffe by Vladimir Mayakovsky, 1921 as a script source to reimagine, re-design and re-perform, which response to inequity and precarity in the contemporary society in the 21st century. As this intention, the individual part focused on the issue that is the manipulation of the fast fashion strategies for consumers and its negative influences on the environment. These produced two characters, a fast fashion queen and a consumer, J, with the new controlling power relationship compared with the original two: the clean as the power and the unclean as the labourer. In this case, according to the marketing strategies: promotions, rapid replacement of new styles, soft advertising, donation program, the queen, as a symbol of fast fashion, features the big sale necklace and a movable mouth with a robotic sort of sound. With J, it developed to a kind of surreal image in the teamwork performance, whilst using echo effect to show the overlapping sound of J and the queen and embody the manipulating relationship between them. 
Through reimagining act six of the original script, referenced from Alice’s Adventures in wonderland, the group performance was considered a dream. The dream responds to five topics in today's life, control and manipulation, human and nature, the unfair reality of the working conditions, laws and knowledge, and unconditional love. A little girl, Annabelle, as the dreamer grows and changes through visiting and communicating with characters in the different and opposing worlds (utopic and dystopic), which re-composes a promised land, a key element in act six.&#38;nbsp;
 



This performance intends to allow the audience to recognize and re-considering the existing issues surrounding them. This ambition can be seen again in the ending song by singing keywords of each world and some questions.





	
	

Teamwork : Jing Wen, Tian Qian, Tina Chin, Xinyue Liang,&#38;nbsp; Yu Zhou&#38;nbsp;

My job: participation &#124; production of ending song,&#38;nbsp; beginning production Indivisual part &#124; first promised land design, script &#38;nbsp; writing, two shadow scenes
Material: fabric, A4 paper, wool thread, mirror, 
metal wire, tinfoil

Software: 










madmapper, projector, PS, AI, PR, 
AU,&#38;nbsp; garageband


Location: London, United Kindom
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/19b79bf2ffb88f9e91934a2dbd8497c4352a2a27c028c7063bd4cd08aca6b0af/_000.jpeg" data-mid="139781274" border="0"  src="https://freight.cargo.site/w/1000/i/19b79bf2ffb88f9e91934a2dbd8497c4352a2a27c028c7063bd4cd08aca6b0af/_000.jpeg" /&#62;J, Anna︎︎︎



used
Teams and YouTube as a digital theatre to perform during the quarantine period
of COVID-19︎︎︎



















	The ending song
promi

promise land


fashion

changing

excited

manipulation


damage planet

endangered species

burning fuel

dying planet


obey (promi promi)

system (promi promi)

puppets (promi promi)

oppression (promi promi)


sharing wisdom

sharing property

sparking spaking

(promi promi promi promi)











freedom (promi promi)

colourful (promi promi)

rainbow (promi promi)

Love (promi promi)

Promise land (promi promi)

Promise land (promi promi)

Promise land (promi promi)
Promise land (promi promi)Do you like your dream ？Do you like your real life?Can you imagine?
the promise land you’ll live in ？promi promise promiseland ！promi promise promiseland ！promi promise promiseland ！promi promise promiseland ！

	

</description>
		
	</item>
		
		
	<item>
		<title>plant</title>
				
		<link>https://wenjing.one/plant</link>

		<pubDate>Sat, 16 Apr 2022 14:17:31 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/plant</guid>

		<description>
	


COHULANT&#38;nbsp;Product design, Wearable design, Speculative design｜CN︎

	





















































More and more young people have chosen a solitary lifestyle for many kinds of reasons, which also causes many problems. Among these, the lack of emotional sustenance has its biggest impacts. Based on this, this project focuses on the young solitary group to design an set of wearable and interactive products.&#38;nbsp;Through using three behaviours (eating, sleeping, and exercising ) in people’s life to design the interactive response between human and plants, COHULANT aims at providing the virtual sense of companionship for them.

This project is aimed at allowing people to imagine that 50 years later in the future, how humans and plants can interact emotionlly and co-live with each other to a certain degree.






	
	

Teamwork &#124; Leader
Material: acrylic plate, 3d printing, LED, humidifier, air humidity sensor, pulse sensor,&#38;nbsp;Software: Pr, Ps, Ai, Arduino, Rhino, Keyshot
Two weeks project




&#60;img width="3898" height="2353" width_o="3898" height_o="2353" data-src="https://freight.cargo.site/t/original/i/ba02cad98b1ee8bc6f2dc18671070a89930a466cea513fc1d69bb33013037424/cohulant2.jpg" data-mid="139802111" border="0"  src="https://freight.cargo.site/w/1000/i/ba02cad98b1ee8bc6f2dc18671070a89930a466cea513fc1d69bb33013037424/cohulant2.jpg" /&#62;
&#60;img width="4902" height="2480" width_o="4902" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8cfcd0e82b2f35f5844aaae1d050ad547bb3c2d5b4cd9a377eb32fe567e31d5d/cohulant.jpg" data-mid="139802127" border="0"  src="https://freight.cargo.site/w/1000/i/8cfcd0e82b2f35f5844aaae1d050ad547bb3c2d5b4cd9a377eb32fe567e31d5d/cohulant.jpg" /&#62;
&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/efd60539cc6f459ce616515ec031694ff2957b91c2933c0dba4ed8cdbeb24cc5/cohulant3.jpg" data-mid="139802129" border="0"  src="https://freight.cargo.site/w/1000/i/efd60539cc6f459ce616515ec031694ff2957b91c2933c0dba4ed8cdbeb24cc5/cohulant3.jpg" /&#62;
&#60;img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/c89caf6e943957865c43d429f3f3e9ae6eb7ef727f9fde3973cf3c36bd424ca0/_DSC3029-17.jpg" data-mid="139802130" border="0"  src="https://freight.cargo.site/w/1000/i/c89caf6e943957865c43d429f3f3e9ae6eb7ef727f9fde3973cf3c36bd424ca0/_DSC3029-17.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>BIOCOSMETIC</title>
				
		<link>https://wenjing.one/BIOCOSMETIC</link>

		<pubDate>Sun, 06 Mar 2022 16:21:48 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/BIOCOSMETIC</guid>

		<description>
	



BioCosmetic&#38;nbsp;UI Design, UX Design｜CN︎

	













We often discuss the shelf life of food, but it is easy to overlook the shelf life of the cosmetics we use every day, causing some unexplained skin problems. Thus, I designed an application that can record the using date of cosmetics to remind users of using the cosmetics in the shelf life. This design focused on the problem of paralytic neglect of numbers on users to design the visual language Highlighting the harmfulness of expired cosmetics. The visual design based on biology emphasizes the imbalance of colonies after the expired date and the sudden increase of pathogenic bacteria.




	
	
Design for who use cosmeticsSoftware: AI, PS. Procreate, ModaoLocation: Beijing, China



&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/b64ddde2d3ae5020c38f510c9bed97c805ecf2ad0e392b4cf896a40b6a5a7f77/biocosmetics.png" data-mid="136895074" border="0"  src="https://freight.cargo.site/w/1000/i/b64ddde2d3ae5020c38f510c9bed97c805ecf2ad0e392b4cf896a40b6a5a7f77/biocosmetics.png" /&#62;
&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/bbfaf7ff2e68f4fa732fd2da02e73fe92c6819b80ce775dadf64b7f9a8b09b03/biocosmetics2.jpg" data-mid="136895407" border="0"  src="https://freight.cargo.site/w/1000/i/bbfaf7ff2e68f4fa732fd2da02e73fe92c6819b80ce775dadf64b7f9a8b09b03/biocosmetics2.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/71b82ffaa73c11cc4b2ddeb6fc55003b2fd72d56b9e7088fb65aede2ec136dac/biocosmetics3.jpg" data-mid="136895416" border="0"  src="https://freight.cargo.site/w/1000/i/71b82ffaa73c11cc4b2ddeb6fc55003b2fd72d56b9e7088fb65aede2ec136dac/biocosmetics3.jpg" /&#62;
&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/ac6d066167b6789b3251c5c5d35778bf82709d9d6abcbfc803898381fffb97e1/biocosmetics.jpg" data-mid="139327378" border="0"  src="https://freight.cargo.site/w/1000/i/ac6d066167b6789b3251c5c5d35778bf82709d9d6abcbfc803898381fffb97e1/biocosmetics.jpg" /&#62;

&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/790d9c749b1c999a5a6f325fb327be771541a59102e164ca5ede2e9f3ac5a7df/biocosmetics5.jpg" data-mid="136895418" border="0"  src="https://freight.cargo.site/w/1000/i/790d9c749b1c999a5a6f325fb327be771541a59102e164ca5ede2e9f3ac5a7df/biocosmetics5.jpg" /&#62;


&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/ec8554cee99ec492eb3378bec3ff357ece4d49b2a951a6cea520b5b41b4d29cc/biocosmetics6.jpg" data-mid="136895419" border="0"  src="https://freight.cargo.site/w/1000/i/ec8554cee99ec492eb3378bec3ff357ece4d49b2a951a6cea520b5b41b4d29cc/biocosmetics6.jpg" /&#62;

&#60;img width="4183" height="4488" width_o="4183" height_o="4488" data-src="https://freight.cargo.site/t/original/i/3cfb2512ffb9abfecc020f14dddca19b78be079a70369724970ed45a5c126d1e/biocosmetics7.jpg" data-mid="136895421" border="0"  src="https://freight.cargo.site/w/1000/i/3cfb2512ffb9abfecc020f14dddca19b78be079a70369724970ed45a5c126d1e/biocosmetics7.jpg" /&#62;

&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/ea1f96c75ed7b50fa83805076911adbb91d61404470bbc1c2cfdbf16c238cb29/biocosmetics8.jpg" data-mid="136895424" border="0"  src="https://freight.cargo.site/w/1000/i/ea1f96c75ed7b50fa83805076911adbb91d61404470bbc1c2cfdbf16c238cb29/biocosmetics8.jpg" /&#62;
&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/6f072dd9904c8f314264b327741b88e03cd071a66dea61c0e7d4861eeff15f0a/biocosmetics9.jpg" data-mid="136895426" border="0"  src="https://freight.cargo.site/w/1000/i/6f072dd9904c8f314264b327741b88e03cd071a66dea61c0e7d4861eeff15f0a/biocosmetics9.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>volbike</title>
				
		<link>https://wenjing.one/volbike</link>

		<pubDate>Tue, 15 Mar 2022 17:47:20 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/volbike</guid>

		<description>
	



VOLBIKE &#38;nbsp;Service Design, Sustainable Design, UI, UX &#124;&#38;nbsp;CN︎

	
























Volcano groups have formed a worth-exploring landscape under the complete static state. Under the planning of the local government, the Ulan Hada volcanic cluster combined with grasslands is being built into a unique world-class geologic wonder, which is now in the semi-development stage. 
VOL BIKE is a project that aims to provide the experience of a volcanic road landscape for tourists based on low cost and environmental protection. On the premise of sustainability, the project has adopted a scheme that can prolong the life cycle of shared bicycles in the city to design the moped in park tourism, mainly by replacing an electric wheel to achieve power cycling. An APP system designed for the service of the volcano park and bike is featured by providing the route visualization.







	


	

Design for the development of highway landscapes in the Ulan Hada Volcanic GeoparkSoftware: AI, PS, Rhino, Keyshot, ModaoLocation: Beijing, China


&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/3403e7bbd858d3ea18b1d4d87f7d4feebe5918db64948d3fe31ba884346b5b11/gai-.jpg" data-mid="139718395" border="0"  src="https://freight.cargo.site/w/1000/i/3403e7bbd858d3ea18b1d4d87f7d4feebe5918db64948d3fe31ba884346b5b11/gai-.jpg" /&#62;
&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/438ea4dfc05953ed36b962d8d0e027006c61f8540a85d56cf2f89e28096568dc/volbike.jpg" data-mid="139711704" border="0"  src="https://freight.cargo.site/w/1000/i/438ea4dfc05953ed36b962d8d0e027006c61f8540a85d56cf2f89e28096568dc/volbike.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/2e2bdfd6e27d8f112b15c157977ee6a4abb94427acd8f7b73f8fc164a06d53c6/volbike2.jpg" data-mid="139711682" border="0"  src="https://freight.cargo.site/w/1000/i/2e2bdfd6e27d8f112b15c157977ee6a4abb94427acd8f7b73f8fc164a06d53c6/volbike2.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/a77da8b509e90a62c68b720e67738e8c4e77d5debfbdb7d9ba7f1e2315c73236/volbike3.jpg" data-mid="139711683" border="0"  src="https://freight.cargo.site/w/1000/i/a77da8b509e90a62c68b720e67738e8c4e77d5debfbdb7d9ba7f1e2315c73236/volbike3.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/914c6b8bd53f316885bc136039a5012362b21055ed210b367ae99a18a003c1fb/volbike4.jpg" data-mid="139711684" border="0"  src="https://freight.cargo.site/w/1000/i/914c6b8bd53f316885bc136039a5012362b21055ed210b367ae99a18a003c1fb/volbike4.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/506efe75d99b3a5289f3e8464da47720259cd09a12d1f2c66d9738670679eb2c/volbike5.jpg" data-mid="139711686" border="0"  src="https://freight.cargo.site/w/1000/i/506efe75d99b3a5289f3e8464da47720259cd09a12d1f2c66d9738670679eb2c/volbike5.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/5684250c90736aa93ba4ac1a0c2a2459bf9f62ea8ed63294da25964ba9cd2969/volbike6.jpg" data-mid="139711698" border="0"  src="https://freight.cargo.site/w/1000/i/5684250c90736aa93ba4ac1a0c2a2459bf9f62ea8ed63294da25964ba9cd2969/volbike6.jpg" /&#62;&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/86ea50fb6446fa2457f56e68772125b898f52ecafa00bb11efc6c088c9130a61/volbike7.jpg" data-mid="139711700" border="0"  src="https://freight.cargo.site/w/1000/i/86ea50fb6446fa2457f56e68772125b898f52ecafa00bb11efc6c088c9130a61/volbike7.jpg" /&#62;
&#60;img width="7016" height="2480" width_o="7016" height_o="2480" data-src="https://freight.cargo.site/t/original/i/f12cc1af7424cff2a0cfbab26e47a9124862a7a85150f52a141363d1b34249bd/high-fi.jpg" data-mid="139711709" border="0"  src="https://freight.cargo.site/w/1000/i/f12cc1af7424cff2a0cfbab26e47a9124862a7a85150f52a141363d1b34249bd/high-fi.jpg" /&#62;
&#60;img width="4183" height="2353" width_o="4183" height_o="2353" data-src="https://freight.cargo.site/t/original/i/fed390ee443acc422404abdff10b4bd668150b094adf1462b272d3cd583b0a40/volbike8.jpg" data-mid="139711701" border="0"  src="https://freight.cargo.site/w/1000/i/fed390ee443acc422404abdff10b4bd668150b094adf1462b272d3cd583b0a40/volbike8.jpg" /&#62;
&#60;img width="4724" height="2598" width_o="4724" height_o="2598" data-src="https://freight.cargo.site/t/original/i/00baa4799995ebe1f4a11335971642387e3c102412932bb4928e0d365599b96a/volbike1111.jpg" data-mid="139713663" border="0"  src="https://freight.cargo.site/w/1000/i/00baa4799995ebe1f4a11335971642387e3c102412932bb4928e0d365599b96a/volbike1111.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>BIO</title>
				
		<link>https://wenjing.one/BIO</link>

		<pubDate>Fri, 15 Apr 2022 15:41:15 +0000</pubDate>

		<dc:creator>wenjing</dc:creator>

		<guid isPermaLink="true">https://wenjing.one/BIO</guid>

		<description>Jing Wen



Tel: +86 18975469631 &#124; Email: wenjing430408@gmail.com &#124;&#38;nbsp;中文

EDUCATIONThe Central Academy of Fine Arts (CAFA) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 09.2013-06.2017
School of Design &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Beijing, China


Major: Product Design, GPA:&#38;nbsp;


Degree: Bachelor of Fine ArtsGoldsmiths college, University of London &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 09.2020-12.2021
Major: Design: Expanded Practice &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; London, United Kindom 

Degree: Master of The Arts
Pass with distinction
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;AWARDS AND HONORS&#38;nbsp;
The Second Prize for Graduation Design “Zhuojing”, CAFA│06.2017


Merit Student at Academic Year 2015-2016, CAFA│12.2016


National Scholarship for Undergraduate Students at Academic Year 2015-2016, CAFA│12.2016


The First Prize of Comprehensive Scholarship at Academic Year 2015-2016, CAFA│12.2016


The Third Prize of Comprehensive Scholarship at Academic Year 2014-2015, CAFA│12.2015


The Third Prize for Work “Dimensional Interaction of Product and Shadow”, CAFA│02.2016


The Third Prize for Work “Secret Tree Chair”, CAFA│03.2015


INTERNSHIP EXPERIENCE &#38;nbsp; &#38;nbsp; &#38;nbsp;School of City Design, The Central Academy of Fine Arts &#124; 09.2017-12.2017


Teaching Assistant
︎
Participated in the college counselling services for junior students’ professional course of Materials, &#38;nbsp; &#38;nbsp; &#38;nbsp; and gave a lecture related to materials to them︎
Assisted with senior students’ preliminary research work of their graduation design, &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; and helped them to analyze the data and conduct in-depth studies


EXTRACURRICULAR ACTIVITY
︎ Participated in the exhibition at Beijing Zero Space│11.2017

&#38;nbsp; &#38;nbsp; &#38;nbsp; Work: In the reflection ( collected)︎&#38;nbsp;Participated in International Art Festival in Crab Island, Malaysia│11.2016
&#38;nbsp; &#38;nbsp; &#38;nbsp; Works: 2:45pm～3:30pm of Next Day, 3:15 pm～4:00 pm of Next Day
SKILL


︎ Software
&#38;nbsp; &#38;nbsp; &#38;nbsp; AI, PS, ID, AE, PR, AU, Rhino, Keyshot

INTERESTS︎ Used garments / items remake&#38;nbsp;
︎ Sustainbility in fashion








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